Hence the higher the resolution, the closer we get to that lovely, rich, dynamic performance by the artist. In reality the higher the resolution and higher the sample rate the fewer things we have to do to get round all the little errors that occur in the music when it is sliced up and converted from real world sound into digital and back again. It's the bit depth that, for convenience, is largely referred to as the resolution. The sample rate tells us how many times the original signal has been 'sliced up' and the bit depth tells us how much information has been recorded in each slice. Music on CD is encoded at 16-bit (the bit depth) and at 44.1kHz (the sample rate). Why is Studio Master the best quality?Īn interesting question to ask when moving music from the analogue to the digital realm is how much of the music we should convert to 1s and 0s? And what happens to all the information in the gaps? Linn have decided that CD quality isn't quite good enough at doing this given recent advances in technology, and doesn't keep enough of the original sound information. So how do we get back to the place where we left vinyl behind - all that great musicality and almost intangible qualities of the rich analogue sound - but still take the best bits of the new digital world? Step up the Studio Master download. This is when the music really started to suffer, all that chopping and compressing sacrificed even more dynamic range, squashing the subtleties, and adding noise in the holes where there once was music. But this required music to be chopped up in to even fewer 1s and 0s and compressed into even smaller spaces. Suddenly the prospect of having 10,000 songs in your pocket really appealed, and it was even more convenient to be able to buy an album without walking through the rain to the record store - or even better to discover amazing new music through the internet. In fact for a majority it was probably an improvement on worn out cassette tapes! But there were still those that remained firm that vinyl and the original analogue formats just sounded better.įast forward ten or fifteen years and welcome the MP3. The dynamic range - the highs and lows in volume and subtleties of the music - as well as the underlying 'noisiness' of the recordings suffered, but to the average listener this didn't really matter, and they were just so convenient that most people didn't seem to care.
At the time there was a big hoo-ha that they just didn't sound as good, and lacked all the great qualities of vinyl that music lovers and audiophiles had come accustomed to.Īnd they were right, when they hit the market, CDs were actually the lowest quality music format - even 8-track tape was capable of holding much more information than this optical media. These were great because they could be played thousands of times without degrading, they weren't so susceptible to scratches and fingerprints, were easier to store and were pretty cheap to manufacture.
By taking the analogue sound wave that was once pressed into vinyl, slicing it up, and converting it to 1s and 0s allowed it to fit on a small shiny Compact Disc. When music entered the digital realm the major driving factor behind new technology was convenience. Read on for a bit of the history of the Studio Master and for a more technical insight into what makes it sound so good. It allows you the listener to hear a recording exactly the way the original artist and producer intended it to sound, before it was altered to fit on a CD or squashed down to MP3 size. The files are also known as HD, high definition, hi-res or high resolution. A Studio Master download is the highest quality music file available anywhere.
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